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Post by emerald on Mar 23, 2017 13:32:37 GMT -5
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Post by emerald on Jun 5, 2017 13:37:49 GMT -5
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Post by sherlok on Jun 7, 2017 20:56:40 GMT -5
Bob Dylan says even HE doesn't know what everything 'means' in his songs That's because he didn't write them. link |
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Post by beatlies on Jun 7, 2017 21:00:06 GMT -5
Bob Dylan says even HE doesn't know what everything 'means' in his songs That's because he didn't write them. linkYes, he certainly did not. |
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Post by emerald on Jun 8, 2017 5:59:12 GMT -5
That's because he didn't write them. linkYes, he certainly did not. He may have at some point, at the beginning. Maybe some Fob's did it too, but basically as we know, others did the job for him. Take Mathis' words with a grain of salt tho because hes just another controlled opposition tool. I bet everything this is not his real name. |
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Post by hotman637 on Jun 22, 2017 18:28:05 GMT -5
I agree that "Dylan" did not write many of his songs but ONE exception may be TWO albums made in the middle of his career "Blood on the Tracks" and "Desire"! These albums are MASTERPIECES and they sound like they were written by the same person and they are performed very well so they could have been written by the "Bob" that was playing Dylan at that time!
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Post by sherlok on Jun 24, 2017 19:48:54 GMT -5
I agree with Miles Mathis' opinion (in article I linked to above) that "Shelter From the Storm" was most likely written by Leonard Cohen. Miles gives details in the article as to what led him to that conclusion and I can't find fault with his logic.
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Post by emerald on Jun 28, 2017 4:57:36 GMT -5
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Post by hotman637 on Jun 28, 2017 7:31:24 GMT -5
I agree with Miles Mathis' opinion (in article I linked to above) that "Shelter From the Storm" was most likely written by Leonard Cohen. Miles gives details in the article as to what led him to that conclusion and I can't find fault with his logic. Interesting! If Leonard Cohen did write "Shelter from the Storm" it would seem to me that he wrote the ENTIRE "Blood on the Tracks" album because the STYLE is SO consistent in that album it just seems like one person wrote the whole thing. But of course a good songwriter can copy style but often the quality suffers in my opinion. The reason the Beatles albums (more so after 1966) look like they were written by TEN people (not "Paul or "John") because the STYLE is all over the map! The "White Album" is really like this! It has been hinted on "Nothing is Real" that Donavon who was in India with the Beatles wrote much of the "White Album". Also after the Beatles broke up almost nothing on their solo albums was much like "Peppers" or the "White Album"etc. |
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Post by emerald on Jun 29, 2017 2:51:49 GMT -5
U meant Donovan....
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Post by emerald on Oct 31, 2017 4:55:46 GMT -5
When Bob Dylan Saw God The enduring, fantastical legends—in some ways even more than his formidable songbook—have always seemed to set Bob Dylan apart from his contemporaries. The fanciful biography he concocted as a fledgling singer-songwriter fresh to New York City’s Greenwich Village, his friendship with folk legend Woody Guthrie, the boos and heckling on his U.K. tour in 1966, his mysterious motorcycle accident—even the most casual fan has had plenty to pour over when digging into Dylan’s story, and the lore listed here doesn’t even get us beyond the 1960s. But perhaps the most fascinating—and beguiling—tale in Dylan’s long and storied career came when he was born again and converted to Christianity after seeing Jesus Christ in a hotel room in Tucson, Arizona in November 1978. www.esquire.com/entertainment/music/a13119247/bob-dylan-trouble-no-more-bootleg-series-volume-13-review/ |
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Post by emerald on Oct 26, 2018 5:20:55 GMT -5
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Bob Dylan
Nov 17, 2018 11:23:56 GMT -5
via mobile
Post by beatlies on Nov 17, 2018 11:23:56 GMT -5
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Post by emerald on Nov 24, 2018 6:14:48 GMT -5
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Post by emerald on Jun 16, 2019 11:38:06 GMT -5
Once Upon a Time Never Comes Again: Bob Dylan, a Masked Man in Search of Redemption? The lobby of the temple of time travel called the Triplex Cinema in Great Barrington, Massachusetts was suffused with a nostalgic vibe tinged with the whiff of encroaching death when I walked in for The Rolling Thunder Revue: A Bob Dylan Story. I had earlier asked the ticket girl if most of the tickets for the two sold-out preview shows were being purchased by old people; she told me no, that many younger people had also bought tickets. However, I didn’t see any. All I saw were grey or white heads and beards, not with “Time Out of Mind,” as Dylan titled his 1997 album, but with time on their minds, as they shuffled into the dark to see where their time had gone and perhaps, if they were not mystified by their fetishistic worship of Dylan, to meditate on who they had become and where they and he were heading in the days to come. I imagined most were aware that Dylan had said that he’s been singing about death since he was twelve, and that his music is haunted by images of love and time lost as bells toll for those traveling the road of life in search of forgiveness for their transgressions. news.mongabay.com/2019/06/brazil-guts-environmental-agencies-clears-way-for-unchecked-deforestation/ |
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