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Post by artemis on Nov 10, 2013 15:59:11 GMT -5
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Post by artemis on Nov 18, 2013 16:33:35 GMT -5
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Post by artemis on Nov 27, 2013 7:00:22 GMT -5
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Post by beatlies on Jan 17, 2014 21:34:32 GMT -5
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Post by hotman637 on Jan 18, 2014 13:09:27 GMT -5
WOW! Fantastic website! Both the JFK assassination and Rosemary's Baby (and presumedly the white Album) have the same theme: God is woman and the Devil is a man!
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Post by beatlies on Feb 8, 2014 17:59:10 GMT -5
WOW! Fantastic website! Both the JFK assassination and Rosemary's Baby (and presumedly the white Album) have the same theme: God is woman and the Devil is a man! 2005 posting in another Beatles forum: "Khephra Sol One And One Is Two Offline Posts: 11 The Beatles and Rosemary's Baby « on: May 30, 2005, 12:09:10 AM » The Beatles recorded The Magical Mystery Tour, The White Album, Yellow Submarine, Abbey Road, and Let It Be in synchronization with the Roman Polanski movie entitled Rosemary's Baby. This was a response to the movie having been filmed in synchronization with earlier Beatles album titles, including: Sgt. Peppers Lonely Hearts Club Band, Revolver, Rubber Soul, Help, and Beatles For Sale. Much that is strange about Beatle Lyrics in the later albums is explained by this movie-album synchronization between Rosemary's Baby and the music of the Beatles. The start point for these synchronizations is easy to find. One simply pauses the movie right when the weird piano chime sounds, just as the Paramount Studio logo flashes onto the screen. This occurs right at the beginning of the film for Rosemary's Baby, so one simply pauses right at the beginning of the movie, and then starts the first song on the album and the movie simultaneously for the synchronization to line up properly (for The Rocky Horror Picture Show and Kill Bill Vol. 1 & 2, the start point happens a few seconds later during the studio logo intro, when the musical chime or drum roll indicates the start point). The CD player should be in repeat-all mode while the movie plays, so that the music lasts the entire length of the movie. Stanley Kubrick also made use of the Brittish-release Beatles albums for his movie, including an echoing loop version of Abbey Road. Typically, the start point for a movie-album synchronization is where a musical hints have been included with the studio logo intro, at the exact point of the first beginning credit, or when the musical score begins (the case for Boys Don't Cry, a Let It Be/Abbey Road movie for certain). The DVD versions of Stanley Kubrick movies filmed after 2001: A Space Odyssey can be played in synchronization with the CD version of Abbey Road all day long. Just leave the DVD and CD playing uninterupted right through the main menu sequence and into the next showing of the movie for as long as one feels like studying (2001 uses an echoing loop version of Revolver)."
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Post by hotman637 on Feb 9, 2014 18:17:35 GMT -5
WOW! Fantastic website! Both the JFK assassination and Rosemary's Baby (and presumedly the white Album) have the same theme: God is woman and the Devil is a man! 2005 posting in another Beatles forum: "Khephra Sol One And One Is Two Offline Posts: 11 The Beatles and Rosemary's Baby « on: May 30, 2005, 12:09:10 AM » The Beatles recorded The Magical Mystery Tour, The White Album, Yellow Submarine, Abbey Road, and Let It Be in synchronization with the Roman Polanski movie entitled Rosemary's Baby. This was a response to the movie having been filmed in synchronization with earlier Beatles album titles, including: Sgt. Peppers Lonely Hearts Club Band, Revolver, Rubber Soul, Help, and Beatles For Sale. Much that is strange about Beatle Lyrics in the later albums is explained by this movie-album synchronization between Rosemary's Baby and the music of the Beatles. The start point for these synchronizations is easy to find. One simply pauses the movie right when the weird piano chime sounds, just as the Paramount Studio logo flashes onto the screen. This occurs right at the beginning of the film for Rosemary's Baby, so one simply pauses right at the beginning of the movie, and then starts the first song on the album and the movie simultaneously for the synchronization to line up properly (for The Rocky Horror Picture Show and Kill Bill Vol. 1 & 2, the start point happens a few seconds later during the studio logo intro, when the musical chime or drum roll indicates the start point). The CD player should be in repeat-all mode while the movie plays, so that the music lasts the entire length of the movie. Stanley Kubrick also made use of the Brittish-release Beatles albums for his movie, including an echoing loop version of Abbey Road. Typically, the start point for a movie-album synchronization is where a musical hints have been included with the studio logo intro, at the exact point of the first beginning credit, or when the musical score begins (the case for Boys Don't Cry, a Let It Be/Abbey Road movie for certain). The DVD versions of Stanley Kubrick movies filmed after 2001: A Space Odyssey can be played in synchronization with the CD version of Abbey Road all day long. Just leave the DVD and CD playing uninterupted right through the main menu sequence and into the next showing of the movie for as long as one feels like studying (2001 uses an echoing loop version of Revolver)." quote The problem with Rosemay's Baby is the same thing that is wrong with just about a ALL religions (including "Satanism"). There are TOO MANY MEN! Everybody involved is a man. Satan, God, Jesus, Allah, Krishna, Priests and most other preachers and clergy are men! Doesn't anyone notice that does not work! On the other hand everyone can be men as long as GOD IS A WOMAN! In other words God in "Rosemary's Baby" is Rosemary! And she is Mary in the Jesus story. Rosemary CHOOSES to have the Devils spawn even though she knows he can destroy the world because she loves the baby. In other words God loves Saints and Satan because they are BOTH MEN!
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Post by beatlies on Mar 19, 2014 16:44:27 GMT -5
Was the 1968 Beatles/Featles song "Hey Jude" constructed to sync to the 1959 short film (which is macabre and disturbing) "Lamp", written and directed by Roman Polanski? It appears to sync remarkably well. And there are many other Beatles connections to Polanski apart from this. Including the sync between the white album and the film "Rosemary's Baby". Here is the video of the sync between "Lamp" and "Hey Jude"--- vimeo.com/m/87498675And then there is this, the 1966 "butcher cover"--- www.printmag.com/wp-content/uploads/2011/01/1302155_f496.jpg?9cafec
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Post by beatlies on Mar 31, 2015 16:49:24 GMT -5
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Post by beatlies on Nov 29, 2015 19:25:04 GMT -5
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Post by emerald on Mar 9, 2016 6:40:22 GMT -5
'A true gentleman and a second father to me': Sir Paul McCartney makes a heartfelt tribute to the band's legendary producer and 'fifth Beatle' George Martin who has died aged 90 Sir Paul McCartney has led tributes to the Beatles' legendary producer George Martin, describing him as 'like a second father to him' in a heartfelt statement. Sir George, known as the 'Fifth Beatle', died aged 90 on Tuesday. He is said to have died peacefully at home in Coleshill, near Swindon. He is survived by his second wife Judy and his four children. He helped The Beatles achieve global success while head of the Parlophone record label after hearing their demo tape in 1962. In a statement, Sir Paul said: 'He was a true gentleman and like a second father to me. 'He guided the career of The Beatles with such skill and good humour that he became a true friend to me and my family. If anyone earned the title of the fifth Beatle it was George. 'From the day that he gave The Beatles our first recording contract, to the last time I saw him, he was the most generous, intelligent and musical person I've ever had the pleasure to know.' www.dailymail.co.uk/news/article-3483404/George-Martin-producer-Beatles-dies-aged-90.html
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Post by emerald on Apr 27, 2016 5:59:33 GMT -5
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Post by beatlies on Jun 5, 2016 2:13:30 GMT -5
The Beatles and Sonny Liston (cover of Sgt. Pepper album in white boxing robe, beside the four wax moptop Beatles) and Muhammad Ali, February 18, 1964: www.star-telegram.com/news/nation-world/national/article81828347.html"For the record, since Ali was a 7-1 underdog, The Beatles had hoped to pose for shots with Liston, but he emphatically refused, saying: “Are these (expletives) what all the people are screaming about? My dog plays drums better than that kid with the big nose.” Fortunately, the far more amenable Ali – who won a gold medal in boxing in the 1960 Olympics – was quickly enlisted instead. Although The Beatles fumed because the soon-to-be-new champ was late and kept them waiting, when he arrived he quickly broke the ice with his opening line, which has since been reported as either: “Hey, Beatles, let’s go make some money!”; or the equally memorable: “Hello there, Beatles! We oughta do some roadshows together. We’ll get rich!"......"
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Post by emerald on Jul 23, 2016 12:07:54 GMT -5
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Post by superman on Jul 27, 2016 2:05:44 GMT -5
They used the demo of "it's for You" for Cilla? That's interesting because I hear Prince's first album "For You" was originally a demo for R&B singer Patrice Rushen
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